Wednesday, November 30, 2016

Chicken Stew (Cajun Style)

Sunday at my house was chicken day.  As long as I can remember, Momma would cook chicken on Sunday.  She would stew the chicken more often than not.  We always ate it over rice.  Momma would serve a simple coleslaw made with a little vinegar, salt and black pepper.  She also usually cooked up a green bean dish to go along with the stew.

1 stewing chicken cut up
½ cup oil (Canola is good but I usually use olive oil.  I’ve tried using a little less oil, but you’ll
            need every drop of it for the roux.
3 tbs flour
1 medium onion, chopped
2 stalks celery, chopped
1 small bell pepper chopped
2 fresh cayenne peppers (You can use any kind of pepper with heat here.  Just remember that           different peppers taste different and pack different amounts of heat.)
4-6 mushrooms, chopped
2 cups chicken broth or stock
2 or 3 medium potatoes, cut into bite-size pieces
¼ cup onion tops or shallots, chopped
2 tbs parsley or cilantro, chopped (I use cilantro, but it is an acquired taste and not a part of the
Cajun diet.)


Heat the oil.  While it is heating, season the chicken.  (I use a little salt, black pepper and ground cayenne pepper.  Add the chicken to the hot oil and brown.  Remove the chicken and set aside.  (I usually let is drain on a paper towel or two.)  Add the flour to the oil/drippings and stir constantly until browned.  (That’s your roux and I like it about a tan color for chicken stew.)  Lower the heat and add the onion, celery, bell pepper, and cayenne peppers to the roux.  Cook, stirring constantly, until the onion is translucent.  Add the chopped mushrooms and cook about one or two minutes more, until mushrooms look cooked.  Add the broth, potatoes, and return the chicken.  Cover and simmer for two or three hours.  Stir occasionally to prevent sticking.  Add parsley and onion tops about five minutes before serving.  Serve over hot rice with coleslaw and green beans on the side.  A beer or glass of white wine goes good with this.  C’est bon.

Leave a comment if you've got a different version or you do something different. You can bet I'll try it.

Monday, November 21, 2016

Searching for Lilith


Searching for Lilith: A Cajun PI Series by [Roy, Jude]

When part time Criminal Justice teacher and detective, John Legrand, answers chemistry teacher, Zack Miller's phone call wanting him to find his daughter Lilith, missing for over twenty years, he figures it will be a simple missing person case. However, it is anything but simple. John traces Sandy Miller, Zack's wife, to post-Katrina New Orleans and learns that Sandy is in Houston. The only problem is that she recently died in a house fire. Sandy's daughter has disappeared, but is she really Zack's daughter, or is she the offspring of Sandy and Anthony Wates, an attorney working for drug kingpin, Carlos Garza? John finds out that Annie Wates, Sandy's daughter is in Springfield, Missouri. He arrives just as Garza's sniper tries to kill her and her new friend, Tyler Royston. Unbeknownst to Annie she possesses information that could destroy Anthony and possibly Carlos too.
LeGrand has only one choice. He has to save the two kids, and the only way to do that is to lure the killers to his turf, where he plans to set a trap. But will it work?
Searching for Lilith takes you on a rollercoaster ride from Ellisonville, Louisiana to New Orleans, Houston, Springfield, Missouri, and back to Ellisonville. It is filled with mystery, suspense, and budding love affairs.

I hope you enjoy it.

Monday, November 14, 2016

God is Cajun

When Jessie was three years old, she asked me if there was a god because Eddie, our neighbor's seven-year-old, had told her that God was everywhere, watching her, and would punish her if he saw her doing anything wrong. At three years old, Jessie was a precocious young girl, and I could see that this information troubled her. I would have to consider my answer carefully.
"Yes," I told her. "Eddie is right."
Her eyes widened, and she looked around nervously.
"Why can't I see him?" she asked in a tiny voice.
"But you can," I said. "Look around you. There are signs of God everywhere."
She looked around again, curious this time.
"I still don't see him," she said, disappointed.
"What are you looking for?"
"God, silly daddy." She placed her hands on her hips and thrust them forward, a mannerism she inherited from her great-grandfather on her mother's side.
"What does God look like?" I prodded, trying to remember she was only three years old.
"Eddie said he was a big man with long white hair, a long white beard, and eyes blue like the sky." She paused. "That's what he said."
"See anybody like that around here?"
"No, silly daddy."
"He would stand out, wouldn't he?"
"Stand out where?"
"Never mind," I said, regretting my small attempt at levity. This was a serious matter for her, and I needed to handle it with all the dignity and compassion I could muster.
"Honey, if Eddie believes that God is big, white-haired, and blue-eyed, that's his prerogative."
"His what?"
"His right. His choice. Eddie probably believes that because he is a boy with blond hair and blue eyes. People tend to picture God as someone who has the same features as them. Some people believe God is a woman."
Like Momma?"
"Uh, huh, and like you're going to be."
She was silent for a moment. Her face reflected the struggle her young mind was going through trying to deal with the information I had just given her—arched eyebrows; furrowed forehead.
"Daddy?"
"Yes?"
"How can God be both a woman and a man?"
"Some people believe God is nothing more than an idea."
"Huh?"
"That God is not man or woman or black or white or whatever—that God is all of these."
This was too much for her. She rolled her eyes heavenward and collapsed on the soft grass at our feet. I hunkered down next to her.
"I don't understand, Daddy."
"Put your hand on your chest. What do you feel?"
"Nothing," she said.
"Concentrate. What's going on inside your body?"
"I can feel my heart beating. Ka thump. Ka thump. Ka thump."
"Good. What else?"
"Nothing, Daddy."
"Concentrate. Look down at your hand. What's happening?"
She stared at her hand.
"It's moving up and down."
"Why?"
"Cause I'm breathing."
"Exactly. Your heart is beating and you are breathing. What does that mean?"
She thought for a while.
"I don't know, Daddy."
"Think hard."
I watched her struggle for a few moments.
"I really don't know, Daddy."
"That's all right. It means you are alive. Some people believe that God is the essence of life."
"Huh?"
"God is the beat of your heart; the rush of air in your lungs; the blood coursing through your veins. So when you look at yourself, or me, or Momma, or your baby brother, you are seeing signs of God."
She looked at me, her sky-blue eyes searching mine carefully.
"That's not all, though." She rolled her eyes again. I smiled. "You see signs of God everywhere you see life: in the air that moves that old oak tree by the barn there; in the oak tree itself; in my chickens, in Eddie's goat; in the very grass at your feet."
"In Eddie, too?"
"Now you're getting the idea. Yes, in Eddie's blue eyes and blond hair."
"So Eddie was right? God is everywhere?"
"Yes. God is everywhere."
She hesitated.
"Can God punish, too, like Eddie said?"
"Yes, God can punish, too." Her eyes widened. "If you don't take care of your body, it won't work right. That's punishment of sorts. If you do not take care of the trees, the animals, the air, the water, and the life that courses over and through the earth, you won't have those things, and that's the worst punishment of all. So Eddie was right, Honey. God can punish."
My daughter sat and thought for a long while after that. I imagined that she was assimilating the information I had given her and trying to make sense of it all. Some questions I hoped she would not ask because I don't think I could have answered them. She would have to grow up and find her own answers. All I could do at this stage was show her that any question about God elicited many more questions, and that like all questions and answers, everything depended on who was asking and who was answering.
After a while, she looked up at me, her blue eyes reflecting the life around us.
"Daddy, is God Cajun?"
"Certainment, ma petite," I said and hugged her tightly. "It could never be any other way."
She laughed and struggled playfully against my grasp.
The world was right again.


Today is Jessie's birthday, and I thought I would revisit an essay I wrote when she was three years old. She's a woman now, an intelligent and caring woman, and I'm sure that her god is as proud of her as I am. A version of this essay appeared in The Eclectic Journal, November 1997.

Sunday, November 6, 2016

Herbie Hodge

Herbie Hodge

I watched one episode of the television show "Survivors because a colleague told me it was good. These people were not survivors. I knew a real survivor and believe me these television actors were not survivors. Herbie Hodge would have put them all to shame.
On May 13, 1945, just after noon on the island of Okinawa, Sergeant Herbert Hodge lay blind, almost dead, under the blistering Okinawa sun. Seven slugs from a Japanese .31 caliber machine gun pierced his mangled body. He listened to the prayers of the wounded and dying who lay shot next to him and heard their frantic cries for corpsmen. He ached to help them but he couldn't see or move; his left arm was shattered and he was bleeding from seven different holes in his upper torso.
The corpsmen finally reached him. Herbie was lifted onto a jeep and driven away. The strain and loss of blood caused him to go into a coma on the trip to the navy hospital. He remained in a coma for eight days
The navy doctor did a cursory visual examination of Herbie and shook his head. His recommendation: shoot Herbie full of morphine and let him die painlessly.
Fortunately for Herbie, a corpsman friend of his on the scene did not accept the doctor's diagnosis. He found a jeep and drove a few miles to a hospital further up the road where an army captain promised to try to save Herbie’s life, but he was doubtful.
Herbie lost his left arm that day in 1945, but he was alive.
The matronly nurse at the army hospital would not leave Herbie alone. She scolded him when he began to pity himself. She spoon-fed him. She changed his cloths and made his bed. There was no room for self-pity in her hospital. She literally forced him to start living again. She was as instrumental as the army captain and the corpsman were in saving Herbie's life.
When I knew Herbie, he worked as the supervisor of the Veteran Representatives on Campus for the Massachusetts area located on the fourth floor of Boston’s John F. Kennedy Building. He was a GS-11. After he left the marines in 1947, he started as a messenger for the VA Hospital at 17 Court Street, Boston. His main duty was carrying medical folders from floor to floor in the multi-storied building. He was a CPC-1, the lowest government designation. After a couple of years in that position, he became an information receptionist in the Contact Division, a GS-3 position. After that, it was all uphill.
Herbie had been close to death at least a half dozen times. He’d been through four beachheads. He earned three purple hearts, one Bronze Star, and one Silver Star. In 1963, Herbie was struck with a kidney malfunction, which hospitalized him. While in the hospital he also contracted staph pneumonia. His condition was so critical that the last rites were administered to him.
Herbie laughed and joked about his brushes with death. He accepted death for what it was: an unwelcomed guest, but a guest none-the-less. Herbie did not worry about dying. His philosophy was that life was predestined. Nothing you did would change what God had in store for you.
A standard joke of Herbie's was to pretend to small gullible minds that he lost his arm in a revolving door of a USO building while chasing a nurse. His humor and easy-going nature made him a favorite in the Veterans Services Office. People just naturally took to him.
Herbie was not petty, vindictive, or bitter. If you asked him if he was a survivor, he would answer in pure humility that there was a determined corpsman, a talented doctor, and a tough old nurse somewhere who deserved all the credit.
All he did was live.


I don't remember exactly when I wrote this, but it must have been when I was living and going to school in Boston, MA. Herbie Hodge worked in the VA office there and reveled me with his stories. I don't know if his unwelcomed guest visited him again or not, but I know that I am a better person for knowing him.

Tuesday, November 1, 2016

Lighted Windows

Lighted Windows
I wrote a collection of short stories, Lighted Windows, about a boy growing up in the fifties and sixties in a small community in south central Louisiana. The people who populate the area, mostly prairie Cajuns, are honest—for the most part—hardworking, and persevering. The boy narrator in the collection soaks up their stories like the rich prairie soil soaks up the rain.
I started the collection in the late seventies in a sophomore creative writing class at USL, now the University Louisiana Lafayette. My professor was John Sherrill Fontenot, a wonderful man, who saw some merit in my writing and introduced me to Herb Fackler, the director of the creative writing program at the time. In my senior year at USL, I believe it was, I had the great good fortune to take classes with Ernest Gaines and, with his encouragement and guidance, had several of my stories published in The Southern Review.
By this time, I had read Sherwood Anderson's Winesburg, Ohio, a string of interconnected stories taking place in a single setting, and it blew me away. However, it was not until I read Faulkner's The Unvanquished that I realized what I wanted to do with my collection—write a series of interconnected stories told from the point of view of the boy, have it take place in a single setting, and make it read like a novel.
After I graduated from USL with an MA in English, I enrolled at George Mason University and studied writing under Richard Bausch and Alan Cheuse. I learned as much as I could from those two talented and respected writers and moved on.
Lighted Windows: A Collection of Short Stories by [Roy, Jude]The first story in the collection, which also acts as the prologue, is entitled "The Three Indians." A storyteller family friend answers a question posed by the boy's mother about the importance of storytelling by relating a story about three Native Americans. The tale sticks with the boy and as the collection progresses, he relates his struggles with language, religion, culture, death, segregation, and sex, among others. The collection ends with an epilogue where the same storyteller tells a tale about how he befriended his dog in "Clio's Story." The story serves as an end to the boy's journey and the beginning of a new one.
About half of the stories in the collection are set on the father's sharecropped farm, and then move to the small community of Serpentville (French pronunciation) named after the lazy bayou that snakes past the tiny village. The early stories are all about the boy gaining self-awareness. Once his family moves into the town, they deal with his awareness of those around him and their influences on him.
Each story is a step into the boy's maturity and development. Each story builds onto the next until they reach the inevitable end.
I worked long and hard on this collection, and my only motive was to share a piece of the unique culture in which I grew up. I hope you read it, and I hope it speaks to you in some way.

Thank you.


Sunday, October 30, 2016

Mrs. Soileau

Because of my Cajun background, I struggled through school. I would sit at the back of my classrooms and barely listen to the teachers. I believe that was the first time I tried to create a story. I do not remember the specifics of it, but I do remember being very proud of it. At recess, I tried to relate it to Lee Ray and Garrett, but it did not come out right—I had forgotten all the exciting details. If I could find a way to lock the words in my head as soon as they flashed by, I would be able to tell a great story. Of course, that was impossible for me.
All that changed in the fifth grade.
Mrs. Fruge, my fifth grade teacher, liked to take us to the library once a week.
Shelves divided our school library in half: juvenile books in front for elementary students; more mature-minded books in back guarded by the librarian’s desk. Mrs. Soileau was the librarian. She was a stout woman with salt and pepper hair and reading glasses on a bulldog face. I hated the library, the dusty, musty smell of it. I hated how inadequate I felt around all those books that I could not read very well.
I hated Mrs. Soileau, also. She was the keeper of the books and the knowledge that seemed to escape me.
The first time Mrs. Soileau ever talked to me, aside from shushing me, was my second library visit.
She saw me browsing through the easy to read section.
She asked in her soft librarian voice that disturbed nobody, what I was interested in.
I was irritated that she had picked me to talk to, but I told her that I was interested in cowboys, Indians, and soldiering.
She led me to a shelf in the junior reading section. I tried to explain to her that I could not read on a junior level, but she did not listen. She reached over and pulled down a blue book from the shelf, a biography of Davey Crockett, and handed it to me.
I took the book to a table and opened it. At first, I was apprehensive, but as I read, the book caught and held my interest. It contained everything I enjoyed: Indians, hunting, and fighting. Although I had some problems with the vocabulary, I understood nearly everything. At the end of the study period, I asked Mrs. Soileau if I could check it out. She lowered her reading glasses and smiled.
Halfway through the school year, Mrs. Soileau called me down. I had read every one of the blue biographies, so I had nothing to do. Lee Ray and I were teasing Garrett because he had spent a valuable first recess talking to Kay. I would poke Lee Ray in the ribs, and we would giggle.
Mrs. Soileau barked my name, and I shuffled over to her desk. She glared at me over her reading glasses.
After a brief lecture on the sanctity of the library, she stood up from the desk and led me to the shelves against the rear wall. She pulled down a book and handed it to me.
I read the title, Tom Sawyer.
I returned to a little table away from Garrett and Lee Ray and started reading the book. At first, I found it difficult, but as I ventured further into the novel, I found it easier to read.
Tom Sawyer was the secret I had been looking for—put the story in writing as it occurs to you, and it would always be there for you. That evening I rushed home from school with my prize, unlocked the door to Mark Twain's mind, and found a wonderful world there. When I finished the book, I rushed to my desk and started the first of many pages of writing.
I am eternally grateful to Mrs. Soileau. Without her, I may have found Mark Twain anyway, but who knows if I would have found the key. I became one of Mrs. Soileau's special library visitors after that. She introduced me to more of Mark Twain and other writers as well: Jack London, Edgar Allen Poe, Carl Sandburg, Edgar Rice Burroughs, and a host of others.
"I want to be a writer," I told her once when I was in the eight grade.
She lowered her reading glasses, and with misty bulldog eyes, she winked at me.


This essay first appeared, read by me, on WKMS, a National Public Radio affiliate.

Friday, October 14, 2016

A Mighty Good Man

I have this recurring nightmare. I am riding on a train. The clack clack sounds of the wheels are loud. Now and again, I hear the mournful wail of the train whistle. I look through the window to see the scenery, but all I see is blackness. Out of the blackness, I see my reflection looking in at me. Then it changes and it becomes the face of my dead father. I always wake up then, surprised at how strong the ties are, even after all these years.
***
My memories of my father are almost all happy ones.

Daddy was a poor man, a sharecropper, who found moments in his miserable existence to create laughter and happiness for his children. He had no transportation except the mules and the wagon and Daddy never hooked them up to go to town—he felt it was a waste of mule power. Instead, he walked the three or four miles along the gravel road whenever he needed to buy groceries for the family. Then he would hitch a ride back on Monsieur Aguillard's school bus, his grocery bags stacked neatly on the front seat like obedient students. Daddy unloaded the groceries at the end of our lane, stacked them along the ditch and made as many trips as needed up and down the lane, about a half-mile each way, until all the bags were in the house and stored away.

Madeline and I always met him at the gate to our yard, tugging at his pants pockets, wanting to know what treat he had bought us, and his answer was always the same: "Un petit rien tout neuf (a little nothing brand new)."

"Aw, Daddy," we would say and reach inside the pockets of his khakis for that special little bonbon he always had for us.

However, Daddy was not beyond a practical joke. On one such occasion, he must have found a king snake along the gravel road and slipped it in his pocket. When my sister and I asked him what he had gotten us he said, "Un serpent."

"Aw, Daddy," we said and reached into his pants pocket. To our utter shock and surprise, our fingers did not close around the familiar foil-covered bonbons, but rather a cold, coiled, scaly snake. My father laughed long and hard at our reaction.

While we sucked on the bonbons he produced from his shirt pocket, he showed us how harmless the king snake was. He told us that some people were so afraid of snakes that they killed any snake they saw, even the harmless ones like the king snake and the garter snake. After that, my sister and I developed a healthy respect for snakes and Daddy's pockets.
***
Daddy was a sensitive man who listened to Madeline and me and treated us with compassion and respect. I told Daddy once that I was not sure I believed in God.

"Why?" he asked.

"Because he never gives me the things I ask him for," I whined. "Almost all the other kids in school have nice new things except me."

Daddy told me that my mistake was thinking of God as a wishing well. By wishing for the things I did not have, I was ignoring the things I did have.

"Enjoy and be thankful for what God has given you," he said. "And God will provide what you need." When he saw my skepticism, he used himself as an example. He told me that if he chose to focus on the things he did not have, his list would be a long one: money, security, property, education, fancy clothing. On the other hand, if he chose to focus on the things he did have, the list would be equally as long: family, love, respect of his friends and neighbors. He pointed out that while he did not have money, he had the bayous and woods and the soil to feed him. While he did not have property, he had the good fortune to have Monsieur Alcide Manuel for whom to farm. While he did not have education and could not read books, he knew how to read the weather, the soil, and his crops. While he did not have fancy clothing, he had functional clothing. If he spent all his time asking God to provide him with all the things he did not have, he would not have time to enjoy his family, and that, he said, was his main blessing.

"Don't be so demanding," Daddy told me. "Give God a chance to enjoy himself. He needs a little time with his family, too."
***
Daddy was right, of course. He believed that the world worked along commonsense lines. If it rained, the crops grew. If it did not rain, the crops died. Everything followed a similar pattern in his view, and what did not was merely packaging or frills.

When I brought home a failing spelling-test paper from Mrs. Miller, my mother wanted to know why I failed the test.

"Because," I told her. "The spelling rules in the American language don't make sense." I used the word island as an example. When Mrs. Miller called out the word, she pronounced it "eye land" not "is land." So I spelled it "eyeland;" the way it sounded. Mrs. Miller marked it wrong.
 
Daddy said that although he did not read or write, what I was saying seemed to make sense to him. Momma, who had gone all the way to the seventh grade, told him that there were rules in English grammar that did not make sense, and the only thing to do was to memorize them.

"Then they ought to change the rules," my father grumbled, but not too loudly. When it came to matters of school, Daddy always yielded to Momma's experience. It just made sense.
***
Daddy believed that education, tempered with a little common sense, was the measure of a man. When I failed the first grade, Daddy was visibly shaken.

"Why?" he asked.

"Because I don't understand enough American."

"How can we fix that?" he asked.

"I don't know," I told him. "I don't want to learn American. I want to talk Cajun like you."

"Let me tell you what I learned about mules," he said. "Mules have to pull a plow. They have no choice in the matter. They know it and I know it. But if you get in front of a mule and try to lead her, she will make your life pure hell. If you get behind a mule and let her do the leading, she will pull your plow from now until kingdom come and ask very little in return. Now, it seems to me you're trying to lead that mule where she doesn’t want to go. It seems to me you would be better off behind the plow, letting that teacher of yours do all the work. Don't you think?"

"But I don't want to learn American," I repeated.

"Stubbornness is part of being mule, son. It doesn’t become you at all. If you're going to plow, and you got no choice in the matter, you might as well learn everything you can about the soil, the plow, and the mule pulling the plow." As if he were underscoring what he was saying, Daddy gave me the reins, and I stumbled along behind the plow up one row and down another until he took over from me, a smile playing on his lips.

The next year I passed the first grade. I still did not like to talk American, but I had learned to work with it.
***
Daddy believed that if a thing needed done, it should be done immediately, and you should persevere until it was done completely and properly. Since Daddy was a sharecropper, he could ill-afford to hire workers to pick his cotton. He depended on himself and his family to help harvest the crops. I think it was the year before Daddy stopped sharecropping when he woke up to a dreary overcast day. He was sick, barely able to walk. Even Daddy's strong black coffee did not seem able to get him going.

"You look sick," Momma told him. "Why don't you stay home?"

"It's going to rain," Daddy said matter-of-fact as if he were explaining something to a child. "If it rains, the cotton won't be worth a plug nickel. Sick or not, that cotton's got to come in. I'll save what I can."

"At least keep the boy from school." I already knew what Daddy would say.

"He needs his schooling. Let him go to school. He can help this afternoon if it doesn't rain." He gave a small wave of his hand. That meant he was through discussing the matter.

When I returned home that afternoon, I quickly peeled off my school clothes, put on my work clothes, and ran across the cotton rows to help Daddy. I found him in the middle of the field, burning with fever, muttering to himself. He told me that he sure wished it would rain, so he could stop. He didn't sound like himself, so I ran back and told Momma and, together, we helped him home. Momma told Madeline what to do for Daddy, and she and I took over where he left off.

That night it rained a terrible storm, and whatever cotton left unpicked in the field was soaked and knocked to the ground. Daddy never talked about it much, but I recognized the appreciation in his eyes when he thanked Momma and me for helping him. The next year, Daddy told Monsieur Alcide that he was done sharecropping, and he went to work for Monsieur Courville's lumberyard for $4.00 a day.

"It's not much money," I heard him tell Momma. "But at least I get paid come rain or shine."
***
Daddy did everything with such enthusiasm and application that people often overlooked the careful thought he put into the things he did. Even when he was at play, he used his commonsense. He played hard, and sometimes rough, but he was never afraid to accept the consequences of his actions. It was a characteristic others admired and respected in him.

It was one of the characteristics Monsieur Hampton Fontenot, Daddy's first employer and friend, admired most about him.

Long after Daddy died, I visited Chataignier and met Monsieur Hamp in Gaçon's Saloon. Monsieur Gaçon had cooked up a sauce piquant, and the small barroom was smoky and crowded with men, mostly farmers straight out of the field. A small crowd gathered around the poker table. When someone told Monsieur Hamp who I was, he placed an arm around my shoulders and steered me toward the bar. He ordered me a beer.

"Damn if you aren't the spitting image of your daddy," he said in Cajun. "You even walk like him." He slapped me on the back. "Have a beer. There's no way defunt Loy's boy is going to sit with me and not have a drink." He was silent a while—a moment of respect, I knew.

"Your daddy was a mighty good man," he said seriously. "He would give you the shirt off his back if you needed it. I seen people take advantage of him because of his goodness. But there was another side to him, too."

"There was?" I asked. I wanted him to keep talking about my daddy. Apparently, there was no danger of him stopping. He ordered two more beers. I had not taken more than two drinks out of the first one.

"You know, your daddy was sort of a rascal, too." Monsieur Hamp chuckled. "Oh yeah, he was. He ever tell you about his big night in Ville Platte?"

"No, sir."

Monsieur Hamp chuckled again.

"He went to Snook's, I believe it was. The music was loud—in those days, the music was live—not like those newfangled jukeboxes, they got now a days. When that accordion mixes with the alcohol in your blood, the world is a devil-may-care place, yeah. Your daddy got the hots for this little dark-haired woman swaying to the music in front of the band. He walked behind her and tapped her on the shoulder. When she turned around, he got a hold of her wrist and led her out on the dance floor."

Monsieur Hamp told me how Daddy danced with the woman three or four dances in a row before her husband or boyfriend showed up.

"That fellow pulled her out of your daddy's arms and flung her across the dance floor. She slid on her butt and slammed into the stage. Then he turned to your daddy and told him to meet him outside.

"Your daddy felt like he hadn't done anything wrong, so he walked out. That fellow was leaning against an old rusted-out Chevrolet pickup, twirling this nasty-looking pistol on his finger. Your daddy usually carried a little snubbed nose .38 in his waist, but when he reached for it, it slid down his pants leg and into his boots." Monsieur Hamp laughed.

"There was nothing he could do. He couldn't reach down to get it, or that fellow would've shot him dead for sure. So your daddy straightened himself up."

Daddy was not a tall man, five six or seven at the most, but when he squared his shoulders and pierced you with his blue eyes, he could be the tallest man in the world.

"He told that fellow that if he was going to use that pistol, he'd better do it quick, cause if he didn't, your daddy was going to take it away from him and pistol whip him to near death. Then your daddy started walking, slow, one step in front of the other, like he was measuring the distance between them. With every step your daddy took, that fellow's eyes got wider and wider. When your daddy was about five feet away from him, that fellow up and bolted like a frightened buck." Monsieur Hamp paused and stared into his beer. It was his story, and he was obviously enjoying telling it. After a long pause, he looked up with a huge grin on his face.

"You know what your daddy told me? You know what that SOB said to me?" I shook my head. "He said, 'Hamp there was exactly twenty-five and a half steps between me and that fellow.'" Mr. Hamp laughed hard then. "Twenty-five and a half steps. The son-of-a-bitch was measuring the distance between them. You get it?"

"Yes," I said. "If you're busy counting out distance, you won't have much time to think about the other guy's pistol."

"Damn if you aren't your daddy's boy all right," he said. "He wasn't no ordinary man, your daddy," he said with admiration. "The man counts his steps right into the barrel of a gun." He shook his head as if he still couldn't believe it, even after all those years.

Monsieur Hampton bought me many beers that evening, and he told me many stories about how brave and daring my father was, but I already knew about Daddy's bravery. I had seen it before.
***
When I was about ten years old, and we lived for Monsieur Courville behind Mr. Yo's Saloon, we were awakened by a commotion one night—several men shouted angrily and excitedly at each other. Daddy walked out on the porch, and I followed closely behind him. Two men surrounded by a small crowd faced each other over the barrel of a shotgun. The people in the circle were yelling at the man with the shotgun not to shoot.

"Don't kill him," they yelled. "He ain't worth it."

The man on the wrong end of the shotgun stood still as stone. I could see the sweat gleam on his face under the dusk to dawn light from where I was, at least fifty feet away.

Daddy shoved me back. 

"Go in the house," he said and jumped off the porch. Instead, I followed him and hid behind the short fence that separated us from the saloon.

Daddy did not hesitate. He walked right in front of the shotgun until the barrel nearly touched his forehead.

"You don't want to pull that trigger," Daddy said, his voice soft and heavy in the humid air. The man behind the gun blinked twice. Daddy took the gun from him and broke it open. He placed the shells in his pocket and returned the gun to the man.

"Damn," Daddy told the group afterwards over a pint of TNT Concord wine. "I was dead sure he didn't have any shells in that shotgun. I guess I was wrong." Everybody laughed nervously. I sneaked back into the house before Daddy noticed I had not obeyed him.
***
Daddy was not afraid to reveal his vulnerable side either. He was an orphan abandoned as an infant by his Irish immigrant parents in New York City and shipped to Opelousas, Louisiana along with a trainload of other boy infants to be adopted by Louisiana farmers—boys made good farm hands. Felix Roy from around Arnaudville adopted Daddy, but Daddy ran away at twelve and went to work in the fields. Every New Year's Eve, he would get crying drunk and pine for his real parents.

"I never knew my mother," he would cry as Momma tried to get him in bed. "Never felt her arms around me. I never knew my mother." He would say this over and over again while Momma sat quietly by his side gently patting him on the back like she did to me whenever I had a nightmare.
***
Usually, Daddy's drinking was a much more controlled ritual. Sometimes my parrain, my godfather, would come for a visit with my father. He always brought a fifth of bourbon, and Daddy would get three chairs, two glasses, a tray of ice, and a pitcher of water. They would sit opposite each other and place the set-up on the chair between them. They would start drinking straight shots with water chasers. Then at some point, they switched to drinks, bourbon and ice water. The conversation seemed as ritualistic as the bourbon drinking, stories about what had been happening to them and to others they both knew. Then the conversation would switch to politics and usually end with stories reliving old memories. I remember sitting in the shadows and listening to them tell stories and wanting so badly for there to be a fourth chair. I was too young. I knew that someday, with the passage of time, I would be a part of the ritual, but I would have to wait.
***
I never did get to "share the bottle" with Daddy—he died before I had the chance.

When he passed out at the cotton gin, and they took him to the charity hospital in Lafayette, we had no idea how sick he was. Lung cancer the doctors told him—he would have to go to the charity hospital in New Orleans for an operation. When he returned, Daddy looked like the pictures I had seen in my school history book of Jewish survivors at Auschwitz. Even then, we thought he would survive. No mere little disease could keep him down. He would deal with it the same way he dealt with anything else—sensibly and head on.
***
The day Daddy fell and hit his head against the television is the day he gave up. That night I heard him crying.

"I don't want to die," he said repeatedly. Momma sat on the bed beside him and gently patted him on the back.

"It's all right," she said over and over again, tears filling her eyes.

A few weeks later, I found him—blank eyes staring at the ceiling. After I got Monsieur Courville to call the priest, I hid in the outhouse and cried—it was the most private place I could find. After a while, I heard a soft knock on the door. I opened it. The same man who had been on the wrong end of the shotgun stood in front of me.

"Come out," he said in a mixture of Creole and Cajun. "Your papa wouldn't want you to be crying so much." I opened the outhouse door, and I noticed the front yard was filled with people, mostly black men who had known Daddy. "Your papa was a mighty good man. He treated folks with respect." The man slipped me a dollar bill. "Use that to make somebody happy. That's what your papa would of wanted."

I used the dollar bill to buy my little sister a fake plastic watch. On the way home from the burial in the back seat of my Uncle Alvin's car, I watched my sister play quietly and happily with the watch, and a feeling of accomplishment and peacefulness came over me.

"This is the happiest day of my life," I said without thinking.

"What are you talking about?" my uncle asked angrily from the front seat. I tried to explain, but the words tumbled out all wrong. I kept thinking that Daddy would understand.
***
Years later, after I had traveled overseas and started college in Lafayette, Louisiana, I visited Chataignier. On my way into Mr. Yo's Saloon, a voice from the shadows beside the saloon called out to me.

"You're defunt Loy's boy, ain't cha?"

"Yes, sir," I answered, my eyes searching the darkness for the owner of the voice. It was the man who had given me the dollar bill, many years before.

"If you're not in too much of a hurry, I'd like to share a drink with you." He spoke in broken English.

"I would like that," I answered in Cajun.

He smiled and disappeared. A few minutes later, he reappeared with a pint of TNT Concord Wine. He cracked the seal and offered me the first taste. I took a long haul and handed it back to him. He held up the bottle.

"To your papa," he said.

"To my daddy," I rejoined. After he finished his drink, he started to recap the bottle, but I took it from him and took another drink.

"You your papa's boy all right. Not too many white men in these parts would drink after a colored man."

We drank for a while, the pint sitting between us on the hood of an old pickup. He told me stories about my daddy. I told him a little about what I had done with my life up to that point. When I left him, we were both near tears.

"You know what I liked about your papa," he asked as I was leaving.

"What?"

"He was good to everybody. He was a mighty good man, and I don't say that about many people, black or white."

I smiled, shook hands with him, and staggered across the road. I remembered the dollar bill just as I got to my car. I hurried back to thank him, but all I saw were dim taillights disappearing behind a thin blanket of fog.
***
The night we buried Daddy I had a dream.

He and I are standing on a boarding platform. A train is huffing and puffing beside us. I am crying.

"Daddy, please take me with you," I plead.

"No son," he says softly. "You have your life to live."

"Please, Daddy," I plead, but it does no good. He pushes me away gently and steps on the train.

I stand on the platform for a long time, watching as the train slowly disappears into a tunnel of light.

I awoke to Momma gently patting me on the back.

"It's all right," she said softly, repeatedly until I fell asleep again.


A version of this essay appeared in The Dead Mule, years ago. Watching my father die of cancer was the most traumatic event in my life. I am now an old man—older than he was when he died—and no matter how hard I try, I cannot remember what he looked like. When I wrote this—in the 90s—I remember looking into the mirror and trying to see my father's reflection, but I could not. It was not until recently that I saw my reflection, and there he was, staring right back at me. I still miss him.

Prologue: The Three Indians

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